Charles Bukowski has themed a significant portion of the last five months for myself. If you haven’t already read something by him, I would recommend you do so post haste. You might not always agree, but it’ll all come together in the end. I’ve never encountered a person who has so carefully mashed sixteen pounds of humanity and misanthropy into his gut.
This is the Foreword he wrote for his poem-book Roominghouse Madrigals:
A question posed quite often to me is, “why do your out of print books cost so much?” Well, they cost so much because that’s what booksellers can get for them from collectors.
“I want to read your early poems, but…”I don’t even have some of my early books. Most of them were stolen by people I drank with. When I’d go to the bathroom, they did their shit. It only reinforced my general opinion of humanity, and caused me to drink with fewer people. At first, I made efforts to replace these books, and did, but when they were stolen all over again I stopped the replacement process and more and more drank alone. Anyhow, what follows are what we consider to be the best of the early poems. Some are taken from the first few books; others were not in books but have been taken from obscure magazines long ago. The early poems are more lyrical then where I am at now. I like these poems but I disagree with some who claim, “Bukowski’s early work was much better.” Some have made these claims in critical reviews, others in parlors of gossip. In my present poetry, I go at matters more directly, land on them and then get out. I don’t believe that my early methods and my late methods are either inferior or superior to one another. They are just different, that’s all. Yet, re-reading these there remains a certain fondness for that time. Coming in from the factory or warehouse, tired enough, there seemed little use for the night except to eat, sleep, and then return to the menial job. But there was a typewriter waiting for me in those many old rooms with torn shades and worn rugs, the tub and toilet down the hall, and the feeling in the air of all the losers who had preceded me. Sometimes the typewriter was there when the job wasn’t and the food wasn’t and the rent wasn’t. Sometimes the typewriter was in hock. Sometimes there was only the park bench. But at the best of times there was the small room and the machine and the bottle. The sound of keys, on and on.
I was not Hamsun eating his own flesh in order to continue writing, but I had a fair amount of travail. The poems were sent out as written on the first impulse, no line or word changes. I never revisited or retyped. To eliminate an error, I would simply go over it thus: #######, and go on with the line. One magazine editor printed a group of my poems with all the #######s intact.
At any rate, here are many of the poems from that wondrous and crazy time, from those distant hours. The room steamed with smoke, dizzied with fumes, we gambled. I hope they work for you. And if they don’t, well, #### ## ###.
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